With Art, You Can Move The Pyramids


Jerry Uelsmann
(American, b. 1934)
Untitled, 1996
Gelatin-silver print
© Jerry N. Uelsmann

In 1982, National Geographic “moved the pyramids”. Using expensive digital technology (proto-Photoshop), layout editors scrunched two of the Pyramids at Giza together so that they would both fit on the magazine’s vertically formatted cover. The photojournalist who captured the original image noticed, complained, and controversy over the ethics of photo-manipulation ensued.

Tomorrow is the last day to view Shared Vision, and the whole of the “Subjective Inventions” section of the exhibition showcases artists who used photo-manipulation before Photoshop as well. Albeit, as Raymond Pettibon has said, “In art, impurity is not a mortal sin.”

Four people who should take the SLR workshop

Molly Kennedy, whose business specializes in portraits and lifestyle shots, is leading a workshop all about digital SLR photography at the Museum on November 16. Brooks Blogger Erin Williams posed a series of different photography situations to her, and got great responses as to why everyone from the new dad to the travel ‘round the world retiree would benefit from her teachings.

Olympus E-30 DSLR Camera with Zuiko Digital ED 14-54mm F2.8-3.5 II. Cut model at the -30 Fair in Tokyo, December 2008, Author: Hanabi123

There is a lot going on in there…..
Olympus E-30 DSLR Camera with Zuiko Digital ED 14-54mm F2.8-3.5 II. Cut model at the -30 Fair in Tokyo, December 2008, Author: Hanabi123

Congratulations! You’ve just bought your first Digital SLR Camera. It will be perfect for capturing those ideal moments – your sister’s graduation from high school, your nephew’s first birthday, your best friend’s first live concert performance in the park. But wait – you know there’s more than one setting than ‘Auto,’ right? Your camera has the power to do more with the image in front of it than you ever imagined – and that’s before you insert it into Photoshop. Molly Kennedy, photographer and owner of Good Golly Photography, is here to show you how. “A lot of people make the big leap to the digital SLR, and then keep it on Auto the whole time,” she says. “What I’m going to be doing is showing you how your camera works, how to use it and how to get the best pictures out of what you have.”

First of all, why should we bother to take our cameras off of the Auto setting? Doesn’t that take care of everything we need in a photo?

Your camera can only do so much, and when it’s on Auto, it doesn’t necessarily know what the best setting is. It’s a very smart machine, but it can…be so much greater. The Auto settings are going to let you get by with some pretty decent pictures, but unless you really know how to use your camera you’re not going to know how to get all those creative effects. People always ask me, ‘How do you get those little round lights in the back of your pictures?’ And it’s called Bokeh. If you keep your camera on Auto you’re not going to get the bokeh. Everything is going to be in focus, everything is going to be sharp, it’s not going to naturally just give you that look. I teach you how to achieve those types of looks by taking over the controls and not just letting your camera decide what the best settings are. Continue reading