For everyone who has been engrossed in Hispanic Heritage along with us at the Brooks, to those who cannot resist a narrative as old as time (this pretty much covers everybody, now), Memphis’ Grand Opera House, the Orpheum, has the perfect dénouement for fall.
Before it was Romeo and Juliet, it was Tristan and Isolde–two fated lovers whose origins were Persian, or Celtic, depending on who you ask. For purposes here, the tragic tale started on the Upper West Side and is now running on Main and Beale Street, in Bernstein and Sondheim’s West Side Story, through November 10th.
Betwixt and between Maria and Tony, West Side Story‘s Romeo and Juliet, are the “Sharks” from Puerto Rico and the Polish-American “Jets”. The opposing groups are defined by their respective roots and mutual dislike of one another; a strong use of color delineates this on stage. The “Sharks” appear clad in shiny purple, lit by cool blues turning fuschia when passion is at play. The “Jets” are a working-class ruffian crew, and the yellow and orange of sun-up follow them as they shuffle to the sounds of the orchestra, leap, sing, and shout. Of course the moral of the story is what happens when the two groups, themselves of light and dark skin tones, meet and mix, attract and repel. Continue reading