2013: A Year In Art

(actual)photo

This makes an awful lot of the Brooks’ ‘B’ on the page right now…

As a tidy lens of sorts, the Brooks looks back on 2013 with the Brooks Calendar at hand. This reinvented bimonthly museum guide debuted a little over a year ago with a lamp from The Brilliance of Tiffany: Lamps From The Neustadt Collection on its cover, an exhibition that lit Brooks’ galleries as 2012 turned 2013. Although these lamps were originally products of America’s Gilded Age, the Neustadt collection was amassed at a time when they were decidedly out of fashion. At the Brooks, this inspired an appreciation for the timeless art of good taste, and all the promise the Gilded Age fell short of delivering. With our own Decorative Arts Trust at the helm of enrichment programming, the Brooks’ decorative art collection is projected to grow throughout the decade. Continue reading

All aboard, now.

Alayna Van Dervort courtesy of LUMA Foundation

A train-turned “kinetic light sculpture” with a curated passenger list is somewhere between Kansas City and Sante Fe by now. Station to Stationbrainchild of experimental artist Doug Aitken and sponsored by Levi’s deep pockets, is “a nomadic happening”. And whatever is happening will happen in a total of ten cities across the country, through the efforts of the multi-media artists on board and the general public meeting up with them along the way.

That Memphis isn’t on the itinerary could ostensibly be written off as a routing issue. The passenger line that hits Bluff City follows the Mississippi River from New Orleans, passing St. Louis, then veers off to Chicago and back before returning down river. (If only someone would revisit Banvard’s Folly, but as a riverboat rock-and-booze cruise!) Of course, if your city isn’t on the selected rails, you can still take part by dipping into the project’s depthless online presence: A Tumblr – endlessly refreshed – with blog entries and 140 character Twitter wit (twit!?), plus loads of slick video: Snippets of railway ennui, momentary “jam sessions”, and capsular pre-recorded interviews of the map’s cultural doers. All the trappings of all that’s happening. Continue reading